By Lata Mangeshkar
Introduction:
“Suno Sajna Papihe Ne,” sung by the legendary Lata Mangeshkar, is a beautiful song depicting the arrival of spring and the anticipation of love. The song’s relatively straightforward chord structure makes it accessible to intermediate guitar players while presenting opportunities for expressive strumming and melodic phrasing.
Guitar Chords for Suno Sajna Papihe Ne:
This arrangement uses E (E major), A (A major), B (B major), and G#m (G sharp minor). The minor chord adds a touch of melancholy that complements the overall joyful sentiment of the song.
(Verse 1)
[E] Suno Sajna Papihe [A] Ne
Suno Saj [E] Na Papihe [A] Ne
Kaha Sab [B] Se Pukaar [E] Ke
Sambhal Jaa [E] O Chaman Wa [A] Lo
Sambhal Jaa [E] O Chaman Wa [A] Lo
Ke Aaye [B] Din Bahaar [E] Ke
Suno Saj [E] Na Suno Sajna
(Verse 2)
[E] Phoolon Ki Daa [A] Liya Bhi
Yehi [E] Geet Gaa [A] Rahi Hai
[A] Ghadiya Piya [E] Milan Ki
Naz [A] Deek Aa [G#m] Rahi Hai
Naz [E] Deek Aa Rahi Hai
[E] Hawaon Ne Jo Chhede [A] Hain
Hawaon [E] Ne Jo Chhede [A] Hain
Fasaane [B] Hain Woh Pyaar [E] Ke
Sambhal Jaa [E] O Chaman Wa [A] Lo
Ke Aaye [B] Din Bahaar [E] Ke
Suno Saj [E] Na Suno Sajna
(Verse 3)
[E] Dekho Na Aise [A] Dekho
Mar [E] Zi Hai Kya [A] Tumhaari
[A] Bechain Kar Na [E] Dena
Tum [A] Ko Kasam [G#m] Hamaari
Tum [E] Ko Kasam Hamaari
[E] Ham Dushman Na Ban [A] Jaaye
Ham [E] Dushman Na Ban [A] Jaaye
Kahi [B] Apni Qaraar [E] Ke
Sambhal Jaa [E] O Chaman Wa [A] Lo
Ke Aaye [B] Din Bahaar [E] Ke
Suno Saj [E] Na Suno Sajna
(Verse 4)
[E] Baagon Mein Pad Gaye [A] Hain
[E] Saawan Ke Mast [A] Jhoole
[A] Aisa Sama Jo [E] Dekha
[A] Raahi Bhi Raah [G#m] Bhoole
[E] Raahi Bhi Raah Bhoole
Ke Jee [E] Chaaha Yahi Rakh [A] Dein
Ke Jee [E] Chaaha Yahi Rakh [A] Dein
Umar [B] Saari Guzaar [E] Ke
Sambhal Jaa [E] O Chaman Wa [A] Lo
Ke Aaye [B] Din Bahaar [E] Ke
Suno Saj [E] Na Suno Sajna
Tips for Playing Suno Sajna Papihe Ne on Guitar:
- Chord Changes: Practice smooth transitions between the chords, particularly the shift from E to A and the inclusion of the G#m. Clean chord changes are key to maintaining the song’s flow.
- Strumming Pattern: Use a strumming pattern that suits the song’s joyful and slightly melancholic mood. Experiment with different patterns to find one that best expresses the feeling of the song. A lighter touch for the verses, and slightly stronger for the chorus might be appropriate.
- Dynamics: Vary your strumming intensity to add dynamics. A lighter approach in the verses and a slightly heavier one in the chorus can create a more engaging musical experience.
Conclusion:
“Suno Sajna Papihe Ne” offers a beautiful opportunity to practice your chord changes and explore different strumming patterns. By focusing on smooth transitions and expressive dynamics, you can create a captivating and emotionally resonant rendition of this classic song.
